Just in time for Halloween, comes the hauntingly romantic and exquisitely choreographed ‘Giselle’ ballet. Under the direction of Robert Hill, the Orlando Ballet Company’s performance of this timeless tale of love, betrayal, death and atonement is a rare gem of a production.
With Orlando’s reputation as a fantasy entertainment capital of the world, with mind-blowing simulators and sensory blitzkriegs, there are no tricks here. In the gifted hands of Mr. Hill, his principal dancers and corps de ballet achieve dizzying heights of dramatic artistry and elegance.
Inspired by a poem by Heinrich Heine and first presented in 1841 at the Paris Opera House, ‘Giselle’ has long been considered among the most poignant love stories in the world of dance, requiring classical virtuosity and technical prowess.
Act I, demanding as much dramatic acting as dancing, frames a Fall Harvest during the Middle Ages. Giselle, a young peasant girl, is wooed by the smitten Albrecht, who is actually a Duke, engaged to a Prince’s daughter. Giselle believes she’s found true Love, only to discover that Albrecht is already betrothed to another. Afflicted by a weak heart, Giselle goes mad and dances to an early death.
Katia Garza, as Giselle, in one of the most coveted roles in ballet, is a revelation. Her performance and technique are graced with nuance, prowess and passion. The scene where Giselle discovers the truth of Albrecht’s deception and loses her grip on reality is both harrowing and beautiful at once.
Act II’s “ballet blanc”, is set in an ethereal forest where spirits of other victims of unrequited love, aggrieved sirens called “wilis”, seek their revenge by forcing their abusers to dance till their death. Giselle senses Albrecht’s remorse and in forgiveness, defends and protects him. Her love conquers all and transcends death itself.
At Sunday’s matinee performance, there were moments of breathtaking and hypnotic virtuosity. Every dancer on the stage appeared “present” and was engaged, like they wanted and needed to be there. Arm movements, sharp arabesques and a light, synchronous impression of floating, all enhanced this eerie legend.
If you missed this vibrant season opener of the Orlando Ballet, take the short drive to Daytona Beach this weekend and treat yourself to an experience that will linger long after the final curtain call.
Orlando Ballet performances in Daytona Beach are being coordinated with the Daytona State College, November 19-21.
By Marc Latta
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